Lindsey: Like this right here where it says "her voice is full of unrealized." This part about her voice.

Kevin: Okay.

Lindsey: Alright. I would have. Do you want me to actually do it?

Kevin: Yeah.

Lindsey: Alright. I would have just taken it [ripping off a section of the page of notes] like that.

Kevin: Okay.

Lindsey: And I would have laid it out. And then I would have gone through my notes and said "okay, her voice. Where is her voice?" [reading back through a page of notes]. Right here [identifying a passage of notes that mentions Daisy's voice], is the tragic beauty of her voice. Right? And then I think. Talking about how her voice is sad and lovely [pointing to a passage on the page of notes].

// [Video Cut]

And then I would have been like, "okay, these two things kind of go together." And then, um, like [picking up another page of notes].

// [Video Cut]

Where it says [looking at another page of notes] "it is held by her voice and couldn't be overdreamed," I mean I would have just literally take this [tearing off a section of the page of notes] like that. And I would have said "okay, if I'm going to talk about her voice, how it is sad and lonely and how she he is held by her voice," and then that goes with whatever Leland [Leland Person, author of one of the articles Lindsey used for her feminine ideal paper] what's his face.

Kevin: Okay, hold on a second [getting Lindsey to pause so he can take a picture of how Lindsey is combining the different sections of notes]. Okay.

Lindsey: Whatever he [Leland Person] is saying about, you know, "the essence of her promise is represented by her voice," well that goes together better than this does [indicating a different page of notes].