Cámara Retórica

“How I Stopped Worrying About the Book and Learned to Love Digital Filmmaking” by bonnie kyburz. Conference on College Composition and Communication, 2011.

“Hypocrites” by Lois Weber. Theatrical release 1915.

“I am Josephine Miles: A Digital Reprocessing” by Trisha N. Campbell. Computers and Composition Digital Press, 2015.

I Believe in Unicorns by Leah Meyerhoff. Theatrical release 2015.

“I’m Still Down Here” by Naomi Beukes-Meyer. YouTube, 2013.

“Initial CCC Online PromoVid” by Bump Halbritter. YouTube, 2014.

“Into the After.Word with Victor Vitanza” by Robert Leston. Kairos, 2008.

“Introduction to ‘Race, Rhetoric, and the State’ Special Issue” by Alexandra Hidalgo and Donnie Johnson Sackey. Present Tense, 2015.

“Karen Skloss 22TW gallery talk – 2005” by mireillefornengo. YouTube, 2008.

“Katie L – Femme: Doing it Wrong” by Casey Miles. Vimeo, 2012.

The Kids Are All Right by Lisa Chodolenko. Theatrical release 2010.

“L'arrivée d'un train en gare de La Ciotat” by Auguste Lumière and Louis Lumière. Theatrical release 1895.

“La bonne absinthe” by Alice Guy Blaché. Theatrical release 1899.

“La fée aux choux” by Alice Guy Blaché. Theatrical release 1896.

“La femme collante” by Alice Guy Blaché. Theatrical release 1906.

“La Malagueña et le torero” by Alice Guy Blaché. Theatrical release 1905.

“Le depart d’Arlequin et de Pierrette” by Alice Guy Blaché. Theatrical release 1900.

“The Legendary Death – Xena The Warrior Princess HQ” posted by fab115. YouTube, 2013.

“Les resultats du feminisme” by Alice Guy Blaché. Theatrical release 1906.

“LiteracyCorps Michigan: Liberty C. Bell, Educational Sponsors” by Bump Halbritter and Julie Lindquist. YouTube, 2011.

“Les chiens savants” by Alice Guy Blaché. Theatrical release 1902.

“Lifting as We Climb: The Coalition of Women Scholars in the History of Rhetoric and Composition 25 Years and Beyond” by Alexandra Hidalgo. Peitho, 2015.

“Listening Bodies, Digital Production, and the Pursuit of Invigorated Sonic Experiences” by Steph Ceraso. Maryland Institute for Technology in the Humanities, 2014.

“Mad Men: Set Me Free” by Elisa Kreisinger and Marc Faletti. Vimeo, 2011.

Made in L.A. by Almudena Carracedo. Theatrical release 2007.

Man with a Movie Camera by Dziga Vertov. Theatrical release 1929.

“Master Hands Remix” by Richard Marback. Enculturation, 2012.

“Making Space for Myself, While Making Space for my Students” by Shewonda Leger. YouTube, 2015.

Me and You and Everyone We Know by Miranda July. Theatrical release 2005.

“Meshes of the Afternoon” by Maya Deren. Festival release 1943.

“Metonymy” by Virginia Kuhn. Kairos, 2013.

“Mistura” by Patricia Perez. Theatrical release 2011.

“Monique Mbeka Phoba Positive jusqu'à la mort” by Michael Misi. YouTube, 2014.

Mosquita y Mari by Aurora Guerrero. Theatrical release 2012.

“MSU Today Presents Rumba Sinfónica” by Michigan State University College of Music. YouTube, 2009.

A New Leaf by Elaine May. Theatrical release 1971.

“New Fugees” by Suban Nur Cooley. Vimeo, 2015.

“Old super 8 footage 1960s” by Bens Channel. YouTube, 2012.

“The Olive Project” by Erin Anderson. Kairos, 2011.

“On the Making of ‘The Things They Left Behind’” by Jody Shipka. Computers and Composition Digital Press, 2016.

“One More Video Theory: Some Assemblage Required” by Sarah Arroyo and Bahareh Alaei. Present Tense, 2015.

“Open Aesthetics” by bonnie kyburz. Conference on College Composition and Communication, 2014.

“Operator Toll Dialing: Teamwork circa 1949 Bell System – AT&T Long Distance Operator Training Film” posted by Jeff Quitney. YouTube, 2011.

“Orange is the New Black – Best and Funniest Moments part 1” posted by Lena. YouTube, 2013.

“Other People’s Lives: A Projection” by Jody Shipka. Enculturation, 2012.

Out in the Night by Blair Doroshwalther. Festival release 2014.

“Pavomania” by Ana Luzardo Flores. VHS, 1997.

“Peace Against the Machine” by Dubscience Films. Present Tense, 2015.

“PERFECT: A Conversation with the Venezuelan Middle Class about Female Beauty and Breast Implants” by Alexandra Hidalgo. DVD, 2009.

“Pitch Perfect 2 Behind the Scenes Footage” by About Movies. YouTube, 2015.

“The Professional Writing Major @ Michigan State” by College of Arts and Letters. YouTube, 2014.

“Remembering Composition Intro” by Todd Taylor and Bump Halbritter. YouTube, 2011.

“Reverón” by Margot Benecerraf. Festival release 1952.

“Queered” by Jacqueline Rhodes and Jonathan Alexander. Technoculture, 2011.

“Radio” by Ruth Novaczek. Vimeo, 2013.

“Rare Commercial Vault: Sony TV (1980 HD)” posted by Daves Archives. YouTube, 2014.

“Rhetoric of Revolution (Open Hand/Closed Fist)” by Byron Hawk. Kairos, 2008.

Riddles of the Sphinx by Laura Mulvey and Peter Wollen. Festival release 1977.

“Rio Hondo College International Students Session 5 Part One” by Bahareh Alaei. YouTube, 2013.

“Ritual in Transfigured Time” by Maya Deren. Festival release 1946.

“The Rockaways: Hurricane Sandy + 45 Days” by Jamie “Skye” Bianco. Vimeo, 2012.

Roger & Me by Michael Moore. Theatrical release 1989.

Saute ma ville by Chantal Akerman. Festival release 1968.

“Sage-femme de première classe” by Alice Guy Blaché. Theatrical release 1902.

Same Same, but Different by Rosylyn Rhee. DVD, 2008.

“Sardines in a Can - Trailer” by Daniella Daemy. Vimeo, 2012.

Saving Face by Alice Wu. Theatrical release 2004.

Scale by Alexandra Juhasz. DVD, 2008.

“screencube” by bonnie kyburz. Kairos, 2013.

Selma by Ava DuVernay. Theatrical release 2014.

Sepideh by Berit Madsen. Theatrical release 2013.

“Shafinaz’s Video” by Shafinaz Ahmed. Computers and Composition Digital Press, 2012.

“Swarm of Vitalities, Swarm of Affinities” by Adela C. Licona and Karma R. Chávez. Peitho, 2015.

“Shooting Signifiers” by Cynthia Haynes. Conference on College Composition and Communication, 2015.

A Single Word by Khadi and Mariama Sylla. Theatrical release 2014.

“sonic rhetoric” by Abraham Romney. YouTube, 2014.

“status update” by bonnie kyburz. Enculturation, 2010.

Stories We Tell by Sarah Polley. Theatrical release 2012.

Sunshine by Karen Skloss. Festival release 2009.

“Suspense” by Lois Weber. Theatrical release 1913.

“A Table Without Organs” by Robert Leston. Itineration, 2016.

Take 20 by Todd Taylor. Bedford/St. Martin’s, 2007.

“Teaching Philosophy” by Bahareh Alaei. YouTube, 2012.

Techne by Jacqueline Rhodes and Jonathan Alexander. Computers and Composition Digital Press, 2015.

“Testimony” by Robert Leston. Enculturation, 2011.

“A Thrilla in ManiLA” by Geoffrey Carter. Kairos, 2013.

“The Things They Left Behind” by Jody Shipka. Computers and Composition Digital Press, 2016.

“TimeLine” by Valerie Soe. YouTube, 2012.

“To Preserve, Digitize, and Project: On the Process of Composing Other People’s Lives,” by Jody Shipka. Enculturation, 2012.

Trailer for The Bride Wore Red by Dorothy Arzner. Theatrical release 1937.

“A Transcript of Fragments” by Nathaniel Rivers. Itineration, 2013.

“Typewriting Training: ‘Basic Typing I: Methods’ 1943 US Navy Training Film” posted by Jeff Quitney. YouTube, 2014.

“The Unseen: Videos from the Microscope Imaging Station” by Exploratorium. YouTube, 2010.

Vanishing Borders by Alexandra Hidalgo. DVD, 2014.

“Vanishing Fronteras: A Call for Documentary Filmmaking in Cultural Rhetorics (con la ayuda de Anzaldúa)” by Alexandra Hidalgo. Enculturation, 2016.

“Video Essay” by Hillery Glasby. Vimeo, 2014.

“Video Cultures: Image Activism” by Cortney Smethurst. Enculturation, 2010.

“Video in [Re]View: Teaching/Learning Writing through Multimodal Performance in an Online Graduate Seminar Part 1” by Steven Krause. YouTube, 2011.

“Virtual Community, Virtual Immanence, Virtual Exposure” by Alex Reid. Enculturation, 2010.

“Vulnerable Video: A New Vernacular” by Ryan Omizo. Enculturation, 2010.

Wadjda by Haifaa Al-Mansour. Theatrical release 2012.

“Walking in the (Electra)City: A Fevered and Frivolous Spectacle” by Justin Hodgson. Kairos, 2013.

Wanda by Barbara Loden. Theatrical release 1970.

Watchers of the Sky by Edet Belzberg. Theatrical release 2014.

The Watermelon Woman by Cheryl Dunye. Theatrical release 1996.

Web Junkie by Shosh Shlam and Hilla Medalia. Festival release 2013.

When I Saw You by Annemarie Jacir. Theatrical release 2012.

When the Levees Broke by Spike Lee. Television release 2006.

Where Are My Children? by Lois Weber. Theatrical release 1916.

“WIDE-EMU 2013 - Ypsilanti, Michigan – Saturday, October 12” by Geoffrey Carter. WIDE-EMU, 2013.

“William’s Comet Project” by Geoffrey Carter. Itineration, 2016.

“The Witch’s Cradle” by Maya Deren. Festival release 1944.

“Women’s Gallery 1980” by Nancy Peterson. YouTube, 2013.

“Women’s Movement 1960s-1970s” posted by International School History. YouTube, 2015.

“WRA 260” by Olivia Hacker. In progress.

“My Writing Process” by Vanessa Rouillon. Computers and Composition Digital Press, 2012.

“WTF MRA?: Men’s Rights Activism” by jaimerapp. YouTube, 2012.

“Yu-Kyung’s Movie” by Yu-Kyung Kang. Computers and Composition Digital Press, 2012.

ALPHABETIC WRITING

agnès films. n.p., 2010. Web. 25 Feb. 2015.

Alaei, Bahareh. Personal Interview. 31 March 2012.

Aquilia, Pieter. “Films from an Unknown Woman: Remediating the Absence of Gender Politics in the Films of Women Directors in China, Taiwan and Hong Kong.” Celluloid Ceiling: Women Film Directors Breaking Through. Eds. Gabrielle Kelly and Cheryl Robson. Twickenham: Supernova, 2014. Kindle File.

Arroyo, Sarah J. Participatory Composition: Video Culture, Writing, and Electracy. Carbondale: Southern Illinois UP, 2013. Print.

---. Personal Interview. 18 May 2012.

Banks, Adam. “Funk, Flight, and Freedom.” Conference on College Composition and Communication. Marriott Hotel, Tampa. 19 March 2015. CCCC Chair’s Address.

Banks, William P. and Michelle F. Eble. “Digital Spaces, Online Environments, and Human Participant Research.” Digital Writing Research: Technologies, Methodologies, and Ethical Issues. Eds. Heidi A. McKee and Dànielle Nicole DeVoss. Cresskill: Hampton P, 2007. 27-47. Print.

Baumgardner, Jennifer and Amy Richards. Manifesta: young women, feminism, and the future. Tenth anniversary ed. New York: Farrar, Straus and Giroux, 2010. Print.

Berry, Patrick W., Gail E. Hawisher, and Cynthia L. Selfe. Transnational Literate Lives in Digital Times. Logan: Computers and Composition Digital P/Utah State UP, 2012. Web. 17 Feb 2015.

Bianco, Jamie “Skye.” Personal Interview. 6 June 2012.

Bonner, Virginia. “The Gleaners and ‘Us’: The Radical Modesty of Agnès Varda’s Les Glaneurs et la glaneuse.” There She Goes: Feminist Filmmaking and Beyond. Eds. Corinn Columpar and Sophie Mayer. Detroit: Wayne State UP, 2009. 119-31. Print.

Boese, Christine. The Ballad of the Internet Nutball: Chaining Rhetorical Visions from the Margins of the Margins to the Mainstream in the Xenaverse. Nutball.com. Web. 3 Jun 2015.

Braun, Catherine C. Cultivating Ecologies for Digital Work: The Case of English Studies. Carbondale: Southern Illinois UP, 2014. Print.

Carter, Geoffrey. Personal Interview. 13 Feb. 2012.

Carter, Geoffrey, and Sarah Arroyo. “Video and Participatory Cultures: Writing, Rhetoric, Performance, and the Tube.” Enculturation: A Journal of Rhetoric, Writing, and Culture 8 (2010): n. pag. Web. 1 March 2015.

Ceraso, Steph. Personal Interview. 16 Feb. 2012.

Chesler, Giovanna. “Giovanna Chesler.” agnesfilms.com. agnès films, 14 July 2011. Web. 10 Jan. 2015.

“Cisco Visual Networking Index: Forecast and Methodology, 2013–2018.” Cisco. Cisco, 10 June 2014. Web. 25 Feb. 2015.

Cochrane, Kira. All the Rebel Women: The Rise of the Fourth Wave of Feminism. London: Guardian Books, 2013. Kindle File.

Colgan, Siobhan. “An Interview with Naomi Beukes-Meyer, director of The Centre.” agnesfilms.com. agnès films, 25 Sept. 2014. Web. 10 April 2015.

Davis, Dawn. “Late Bloomer: How I’m Learning to Survive and Thrive in the Film Industry Over the Age of 30.” agnesfilms.com. agnès films, 25 Sept. 2014. Web. 10 April 2015.

Day, Michael, Susan Delagrange, Mike Palmquist, Michael Pemberton, and Janice Walker. “What We Really Value: Redefining Scholarly Engagement in Tenure and Promotion Protocols.” College Composition and Communication 65:1 (2013): 185-208. Print.

Delagrange, Susan H. Technologies of Wonder. Logan, UT: Computers and Composition Digital P/Utah State UP, 2011. Web. 17 Feb 2015.

Derry, Sharon J., Roy D. Pea, Brigid Barron, Randi A. Engle, Frederick Erickson, Ricki Goldman, Rogers Hall, Timothy Koschmann, Jay L. Lemke, Miriam Gamoran Sherin, and Bruce L. Sherin. “Conducting Video Research in the Learning Sciences: Guidance on Selection, Analysis, Technology, and Ethics.” Journal of the Learning Sciences 19:1 (2010). 3-53. Print.

Ellerson, Beti. “African Women Directors.” Celluloid Ceiling: Women Film Directors Breaking Through. Eds. Gabrielle Kelly and Cheryl Robson. Twickenham: Supernova, 2014. Kindle File.

Evans, Marian. “Marian Evans.” agnesfilms.com. agnès films, 20 Nov. 2014. Web. 21 April 2015.

Field, Tania. “Alice Guy-Blaché: True Pioneer.” Celluloid Ceiling: Women Film Directors Breaking Through. Eds. Gabrielle Kelly and Cheryl Robson. Twickenham: Supernova, 2014. Kindle File.

“Film Shows Immigration from Woman’s Perspective.” Fox 32 News. Fox. 17 Nov. 2014. Web. 6 June 2015.

“Former Daytonian Produces Feature Length Immigration Documentary.” WYSO Weekend. WYSO. WYSO, Miami Valley. 10 May 2015. Radio.

Green, Judith and David Bloome. “Video Documentation and Analysis in Literacy Research.” The Encyclopedia of Applied Linguistics. Ed. Carol A. Chapelle. Oxford: Blackwell, 2013. 1-7. Print.

Juhasz, Alexandra. Women of Vision: Histories in Feminist Film and Video. Minneapolis: U of Minnesota P, 2001. Print.

Halbritter, Bump. Mics, Cameras, Symbolic Action: Audio-Visual Rhetoric for Writing Teachers. Anderson: Parlor P, 2013. Print.

Hawk, Byron. “Rhetoric of Revolution (Open Hand/Closed Fist Remix).” From Gallery to Webtext. Eds. Kuhn, Virginia, and Victor Vitanza. Kairos: A Journal of Rhetoric, Technology, and Pedagogy 12.3 (2008): n. pag. Web. 10 July 2012.

Hidalgo, Alexandra. “Aurora Guerrero.” agnèsfilms.com. agnès films, 9 Oct. 2015. Web. 20 Oct. 2015.

---. “Interview with Daniella Daemy, Director of Ava.” agnesfilms.com. agnès films, 27 Nov. 2013. Web. 10 April 2015.

---. “Marie Ullrich.” agnesfilms.com. agnès films, 26 May 2015. Web. 10 June 2015.

---.“National Identity, Normalization and Equilibrium: The Rhetoric of Breast Implants in Venezuela.” Enculturation: A Journal of Rhetoric, Writing, and Culture 13 (2012): n. pag. Web. 2 Sept. 2014.

“Hidalgo Review #2.” 2015. Microsoft Word File.

Hidalgo, Alexandra and Kendall Leon. “Rhetoric, Multimedia Technology, and the Service-Learning Classroom.” Interdisciplinary Humanities (Fall 2012): 41-55. Print.

---. “Patricia Perez.” agnesfilms.com. agnès films, 28 March 2014. Web. 10 April 2015.

---. “Interview with Karen Skloss, Director and Co-Writer of The Honor Farm.” agnesfilms.com. agnès films, 12 Dec. 2014. Web. 10 April 2015.

Hiscott, Rebecca. “How a Video Artist Made Don Draper a Gay Rights Mouthpiece.” mashable.com. Mashable, 7 Feb. 14. Web. 29 May 2015.

Hoffman, Alison. “The Persistence of (Political) Feelings and Hand-Touch Sensibilities: Miranda July’s Feminist Multimedia-Making.” There She Goes: Feminist Filmmaking and Beyond. Eds. Corinn Columpar and Sophie Mayer. Detroit: Wayne State UP, 2009. 19-33. Print.

Honeycutt, Heidi. “A Century of Mädchen: Femmes and Frauen in Fascist, New Wave, and Contemporary European Cinena.” Celluloid Ceiling: Women Film Directors Breaking Through. Eds. Gabrielle Kelly and Cheryl Robson. Twickenham: Supernova, 2014. Kindle File.

Jenkins, Henry. “Nine Propositions Toward a Cultural Theory of YouTube.” Confessions of an Aca-Fan. 28 May 2007. Web. 20 Apr. 2013.

Johnston, Denah. “Interview with Leah Meyerhoff, Director and Producer of I Believe in Unicorns.” agnesfilms.com. agnès films, 9 Aug. 2015. Web. 10 Oct. 2015.

Juhasz, Alexandra. “Learning from Fred: Published at TCR.” Media Commons: A Digital Scholarly Network. Media Commons. 13 Mar. 2009. Web. 6 June 2015.

Kelly, Gabrielle. “From Hollywood to Indiewood to Chinawood: Women Film Directors in the US.” Celluloid Ceiling: Women Film Directors Breaking Through. Eds. Gabrielle Kelly and Cheryl Robson. Twickenham: Supernova, 2014. Kindle File.

Keslassy, Elsa. “Cannes Honoree Agnes Varda Touts ‘Girls,’ Says Money Is the Biggest Problem.” Variety.com. Variety, 24 May 15. Web. 29 May 15.

Kopp, Drew and Sharon McKenzie Stevens. “A New Start for Talking About Writing Instruction: Re-Articulating the Mission and Work of the Writing Program with Digital Video.” Kairos: A Journal of Rhetoric, Technology, and Pedagogy 15:1 (2010). n. pag. Web. 1 March 2015.

Krause, Steven. “Amateur Auteurs: The Challenge of Producing and Publishing Multimedia Scholarship in Writing Studies.” Conference on College Composition and Communication. Americas Convention Center, St. Louis. 23 March 2012. Conference Presentation.

---. Personal Interview. 1 Aug. 2012.

---. “‘Where Do I List This on My CV?’ Considering the Values of Self-Published Web Sites, Version 2.0.” Kairos: A Journal of Rhetoric, Technology, and Pedagogy 12.1 (2007): n. pag. Web. 12 Aug. 2012.

kyburz, bonnie. “I'm like professional…” Kairos: A Journal of Rhetoric, Technology, and Pedagogy 14.2 (2009): n. pag. Web. 10 Jan. 2015.

---. Personal Interview. 25 March 2012.

---. “‘Totally, Tenderly, Tragically’: Godard’s Contempt and the Composition Qu’il y Aurait (That Might Have Been).” Composition Studies 36.1 (2008): 39-55. Print.

Lauzen, Martha. “The Celluloid Ceiling: Behind-the-Scenes Employment of Women in the Top 250 Films of 2014.” womenintvfilm.sdsu.edu. Center for the Study of Women in Television & Film, n.d. Web. 20 April 2015.

Lauzen, Martha. “Independent Women: Behind-the-Scenes Employment on Festival Films in 2013-2014.” womenintvfilm.sdsu.edu. Center for the Study of Women in Television & Film, n.d. Web. 20 April 2015.

Leger, Shewonda. “The Risk of Going Natural: Cultural Embodiment in African American Hairstyles” Conference on College Composition and Communication. Marriott Hotel, Tampa, FL. 19 March 2015. Conference Presentation.

Lee, Valerie and Cynthia L. Selfe. “Our Capacious Caper: Exposing Print-Culture Bias in Departmental Tenure Documents.” ADE Bulletin 145 (Spring 2008): 51–58. Print.

Leston, Robert and Alex Leston. Personal Interview. 20 Jan. 2013.

Lessig, Lawrence. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. New York: Penguin, 2004. Print.

Leston, Robert. “Re: Sound Editing.” Message to the author. 26 June 2012. E-mail.

Levy, Matthew. “Mood Music.” Conference on College Composition and Communication. Tampa Convention Center, Tampa. 20 March 2015. Conference Presentation.

“Master Hands, A Video Mashup Round Table.” Enculturation: A Journal of Rhetoric, Writing, and Culture. Ed. James J. Brown, Jr. and Richard Marback. 11 (2010): n. pag. Web. 17 Oct. 2011.

“Michigan: Documental sobre mujeres e inmigración.” Yahoo Noticias! . Yahoo.com. 17 Nov. 2014. Web. 6 June 2015.

Mohr, KJ. “KJ Mohr.” agnesfilms.com. agnès films, 11 Feb. 2011. Web. 21 April 2015.

Miller, Claire Cain. “YouTube Ads Turn Video Into Revenue.” nytimes.com. The New York Times, 2 Sept. 2010. Web. 29 May 2015.

Miller, Jacqui. “USA: Flouting the System: Lois Weber, Dorothy Arzner and Ida Lupino.” Celluloid Ceiling: Women Film Directors Breaking Through. Eds. Gabrielle Kelly and Cheryl Robson. Twickenham: Supernova, 2014. Kindle File.

“A New Documentary Explores Immigration from a Woman’s Perspective.” Stateside. Michigan Radio. WUOM, Ann Arbor. 8 Dec. 2014. Radio.

“Open Aesthetics” by bonnie kyburz. Conference on College Composition and Communication. Marriott Hotel, Indianapolis. 21 March 2014. Panel Presentation.

Powell, Malea. “Dreaming Charles Eastman: Cultural Memory, Autobiography, and Geography in Indigenous Rhetorical Histories.” Beyond the Archives: Research as a Lived Process. Eds. Gesa E. Kirsch and Liz Rohan. Carbondale: Southern Illinois UP, 2008. 115-127. Print.

“Proyectarán en Michigan documental sobre experiencia de las mujeres en la inmigración.” Fox News Latino. Fox News. 17 Nov. 2014. Web. 6 June 2015.

Ravins, Mara. “Mara Ravins.” agnesfilms.com. agnès films, 16 April 2015. Web. 21 April 2015.

Reid, Alex. “Exposing Assemblages: Unlikely Communities of Digital Scholarship, Video, and Social Networks.” Enculturation: A Journal of Rhetoric, Writing, and Culture 8 (2010): n. pag. Web. 17 June 2012.

Reilly, Colleen A. and Douglas Eyman. “Multifaceted Methods for Multimodal Texts: Alternate Approaches to Citation Analysis for Electronic Sources.” Digital Writing Research: Technologies, Methodologies, and Ethical Issues. Eds. Heidi A. McKee and Dànielle Nicole DeVoss. Cresskill: Hampton P, 2007. 353-375. Print.

Rhee, Rosylyn. “Rosylyn Rhee.” agnesfilms.com. agnès films, 27 September 2010. Web. 21 April 2015.

Romney, Abraham. Personal Interview. 6 June 2012.

Royster, Jacqueline Jones, and Gesa E. Kirsch. Feminist Rhetorical Practices: New Horizons for Rhetoric, Composition, and Literacy Studies. Carbondale: Southern Illinois UP, 2012. Print.

Sano-Franchini, Jennifer, Donnie Sackey, and Stacey Pigg. “Methodological Dwellings: A Search for Feminisms in Rhetoric and Composition.” Present Tense: A Journal of Rhetoric in Society 1.2 (2011): n. pag. Web. 20 Aug. 2014.

Scenters-Zapico, John. Generaciones’ Narratives: The Pursuit & Practice of Traditional & Electronic Literacies on the U.S./Mexico Borderlands. Logan: Computers and Composition Digital P/Utah State UP, 2010. Web. 17 May 2015.

Selfe, Cynthia and Gail Hawisher. “Beyond Literate Lives: Collaboration, Literacy Narratives, Transnational Connections, and Digital Media.” Literacy, Economy, and Power: Writing Research After Literacy in American Lives. Eds. John Duffy, Julie Nelson Christoph, Eli Goldblatt, Nelson Graff, Rebecca S. Nowacek, and Bryan Trabold. Carbondale: Southern Illinois UP, 2014. 185-202. Print.

Shakerifar, Elhum. “In Their Own Words: Interviews with Contemporary Women Directors from the Middle East.” Celluloid Ceiling: Women Film Directors Breaking Through. Eds. Gabrielle Kelly and Cheryl Robson. Twickenham: Supernova, 2014. Kindle File.

Skinnell, Ryan. “Circuitry in Motion: Rhetoric(al) Moves in YouTube’s Archive.” Enculturation: A Journal of Rhetoric, Writing, and Culture 8 (2010): n. pag. Web. 14 Apr. 2013.

Siu, Eric. “Ignore Video and Miss Out on 69 Percent of Mobile Traffic.” Entrepreneur. Entrepreneur, 23 Sept. 2014. Web. 25 Feb. 2015.

Soe, Valerie. “Valerie Soe.” Women of Vision: Histories in Feminist Film and Video. Ed. Alexandra Juhasz. Minneapolis: U of Minnesota P, 2001. 249-60. Print.

“Statistics.” YouTube. YouTube, n.d. Web. 3 March 2015.

Stim, Rich. “Measuring Fair Use: The Four Factors.” Stanford University Libraries. Stanford University, n.d. Web. 3 March 2015.

Sullivan, Patricia and James E. Porter. Open Spaces: Writing Technologies and Critical Research Practices. Westport: Ablex, 1997. Kindle File.

Taylor Todd, and Bump Halbritter. Remembering Composition (The Book): A DVD Production JAC. 26:3/4 (2006): 389-396

Unger, Don. Personal Interview. 20 Feb. 2012.

Cámara Retórica

A Feminist Filmmaking Methodology for Rhetoric and Composition

Sources

A Feminist Filmmaking Methodology
for Rhetoric and Composition